In the late 1950’s and early 1960’s Alain Delon (1935) was the breathtakingly good-looking James Dean of the French cinema. The “male Brigitte Bardot” soon proved to be a magnificent actor in masterpieces by Luchino Visconti and Michelangelo Antonioni. In the late sixties Delon came to epitomise the calm, psychopathic hoodlum in the 'policiers' of Jean-Pierre Melville, staring into the camera like a cat assessing a mouse
Showing posts with label Alain Delon. Show all posts
Showing posts with label Alain Delon. Show all posts
Alain Delon
Alain DelonDutch postcard by Uitg. Takken, Utrecht, nr. 3980. Photo: N.V. Meteor Film/Speva/Play Art Prod. Publicity still for Christine/Liebelei.
In the late 1950’s and early 1960’s Alain Delon (1935) was the breathtakingly good-looking James Dean of the French cinema. The “male Brigitte Bardot” soon proved to be a magnificent actor in masterpieces by Luchino Visconti and Michelangelo Antonioni. In the late sixties Delon came to epitomise the calm, psychopathic hoodlum in the 'policiers' of Jean-Pierre Melville, staring into the camera like a cat assessing a mouse.
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